One Paragraph Movie Review: MetropolisThree hundred and sixty-eighth film: Metropolis, the very long, very Art Deco Fritz Lang masterpiece from 1927. This thing looks utterly…5d ago5d ago
One Paragraph Movie Review: Meshes of the AfternoonThree hundred and sixty-seventh film: Meshes of the Afternoon, a 1943 experimental short that understands both exactly what it’s like to…Jun 28Jun 28
One Paragraph Movie Review: Memories of UnderdevelopmentThree hundred and sixty-sixth film: Memories of Underdevelopment, or ‘Memorias del Subdesarrollo’ to use its Cuban title, a 1968 movie…Jun 15Jun 15
One Paragraph Movie Review: MementoThree hundred and sixty-fifth film: Memento, Christopher Nolan’s 200 movie plonking Guy Pearce at the end of a typically funky timeline and…Jun 9Jun 9
Three hundred and sixty-fourth film: Meet Me In St Louis, a charming 1944 film set in 1903 where…May 31May 31
One Paragraph Movie Review: Mean StreetsThree hundred and sixty-third film: 1973’s Mean Streets, Martin Scorsese’s first big ‘un, starring baby Harvey Keitel, baby Robert De Niro…May 17May 17
One Paragraph Movie Review: Me and My GalThree hundred and sixty-second film: Me and My Gal, a very good bit of 1932 fluff starring my new best friends Spencer Tracy and Joan…Apr 27Apr 27
One Paragraph Movie Review: McCabe & Mrs MillerThree hundred and sixty-first film: McCabe and Mrs Miller, a 1971 tale of Old West capitalism starring Warren Beatty in a big bearskin coat…Apr 21Apr 21
One Paragraph Movie Review: A Matter of Life and DeathThree hundred and sixtieth film: A Matter of Life or Death, a dumb 1946 film with a great premise starring David Niven, who mathematically…Apr 5Apr 5
One Paragraph Movie Reivew: The MatrixThree hundred and fifty-ninth film: The Matrix, a movie I was absolutely ready for when it came out in 1999 and have loved ever since, even…Mar 22Mar 22
